First solo exhibition (1990). Refinement of personal approach based on first university research (Master’s in Fine Arts, Paris I University).

Exploration of the deconstruction of the image highlighting the different manufacturing steps within a single space, thanks to the cropping technique.

To this the artist gradually introduced raw materials which interact with the graphic and pictorial simulation, focusing attention on the staging (or presentation) of the subject matter, underlining the ever-closer connection between language (collage of pages of writing mailny from old books) and perception (the use of drips of paint to highlight the presence of symbolic material).

Some erotic works then initiated research on a controversial subject later developed in his doctoral thesis in order to better understand one of the important features of modern living.

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